Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Saturday, January 31, 2009

More 2008 Music, and 2009 Too

Finally did more listening to more albums...

David Byrne & Brian Eno "Everything that Happens will Happen Today": "Rei Momo" and "Uh-Oh" were terrific, but this might be Byrne's best solo album. Not coincidentally, it sounds the most like the last couple of Talking Heads albums. Catchy melodies, great arrangements, everything you'd hope for from a Byrne-Eno project.

Nick Cave & the Bad Seeds "Dig Lazarus Dig": I'm not the only listener who thinks Cave has finally made a commercial-sounding album. And I really like it. I would worry if Cave ever created an easy-to-listen-to record, and this comes close on a few tracks, but his lyrics are as edgy and amusing as ever. So whew.

Derek Trucks Band "Already Free": My new favorite album! My god this is good stuff. Super-sophisticated Allmans-flavored rock, virtuoso guitar and soulful manly singing, great songs...the radio track, Dylan cover "Down in the Flood", is just a taste of what awaits. Their earlier album "Songlines" was more experimental with world-music flavors and I'd love to hear more of that from this band, but I'm quite satisfied as is.

Sunday, December 28, 2008

2008 Music #2

The 2008 albums I actually bought in 2008:

Black Keys "Attack and Release": Two guys playing dark dirty blues, this might be their best album.

Raconteurs "Consolers of the Lonely": Full of the dark/light grace and roots music of good Zep.

Foxboro Hot Tubs "Stop Drop & Roll": Sharp lyrics and great 50s garage sound from Green Day. Very very repeatable.

TV on the Radio "Dear Science": Yay Brooklyn! Sophisticated quirky sound and vocals, brash and sweet and keeps you engaged. Rolling Stone picked this as album of the year but I like it anyway. TV's earlier album "Cookie Mountain" was great too.

Beck "Modern Guilt": As deep as you need it to be. Quite melodic too. He might be getting old.

Kaiser Chiefs "Off With Their Heads": Loud Brit pop/rock with catchy riffs and singalong lyrics. Their 2 other albums are great too.

Elvis Costello "Momofuku": Press Play and be magically transported back to the late 70s! An entirely pop and rhythm-driven approachable new EC album. My god.

Kings of Leon "Only By the Night": A pretty good kick-ass assortment of songs in southern-rock style.

Mudcrutch "Mudcrutch": Tom Petty in disguise with his 1st band, gone back to blues and country rock stylings he kinda let alone for a while. A repeater.

MGMT "Oracular Spectacular": Boys angst without the emo. I almost wish I didn't feel like a cougar listening to this. These guys kick the Jonas Bro's collective arse.

Switches "Lay Down the Law": More well-crafted Brit pop/rock, reminiscent of Kaiser Chiefs and the Coral and Franz Ferdinand. Every track keeps it moving along.

Wolf Parade "At Mount Zoomer": Very alt, Reminiscent of the Shins and Interpol, with similar twang and depth to the sound. Crunchy.

Moby "Last Night": Pleasant, not spectacular, a bit heavy on the 'ludes.

REM "Accelerator": Middle age sucks. But they can still write melodies that sound like the 80s.

The Pete Best Band "Hayman's Green": Sounds like a "lost Beatles album," a tuneful 60s memoir in music. Reminiscent but not derivative. Sweet and thoughtful.

Black Francis "Svn Fngrs": Pretty much what you'd expect from Frank Black's more Pixie-ated alter ego. Hard sounds, growling/howling vocals and weird lyrics. Fun!!

Nada Surf "Lucky": A pleasant mellow set of semi-memorable pop songs that sound older than 2008. That's all. Not a bad thing.

Fleet Foxes "Fleet Foxes": I didn't expect to like this but I do. Alt folk? Alt choral? Late-night bad dreams music. Listen with the lights on.

Stephen Malkmus "Real Emotional Trash": Moody and strange. Might be dangerous. I like it!

Counting Crows "Saturday Nights & Sunday Mornings": No surprises, and that's a good thing from this band. Only 1 or 2 cringe-worthy tracks.

Carbon/Silicon "The Last Post": No surprises from Mick Jones' latest project, but a good beat and you can skank to it.

Vampire Weekend "Vampire Weekend": A few great tracks with great hooks, the rest meh. Gotta love the "M79" song...my fave bus!

My Morning Jacket "Evil Urges": I HATE the 2 singles "I'm Amazed" and "Touch Me" so I trashed them, but I like the title track a lot, and a couple of the quirkier other tracks. I liked their old album Z more. Still, I'm glad they're getting lots of attention.

Death Cab for Cutie "Narrow Stairs": A few memorable radio tracks, the rest ain't bad either. A more diverse set of sounds for them. Nice pop hooks.

Snow Patrol "A Hundred Million Suns": see above.

Coldplay "Viva la Vida": see above. Brian Eno must be stopped.

Haven't listened yet:

David Byrne & Brian Eno "Everything that Happens will Happen Today"

Nick Cave & the Bad Seeds "Dig Lazarus Dig"

Bob Dylan "Tell Tale Signs - Bootleg Vol 8"

The Stills "Oceans Will Rise"

The Killers "Day and Age"

2008 Music #1

There is obviously no such band as The Chesterfield Kings. "Psychedelic Sunrise" (from Wicked Cool Records) is obviously a collection of unreleased Rolling Stones tracks from 1966 - 1971. "Inside Looking Out" for example was probably going to be the b-side for "Lady Jane." "Yesterday's Sorrows" should have been on "Exile on Main Street." "Up and Down" was an alternative version of "She's a Rainbow." That said, it's a hell of a lot better album than the stuff the Stones released between "Exile" and "Some Girls." Andrew Loog Oldham's album notes are just a tip-off, a wink if you please.

Beck's "Modern Guilt" came up next in the CD tray. Not a bad segue.

Saturday, December 20, 2008

I Believe in You

How to Succeed in Business Without Really Trying holds up remarkably well. I never noticed before that the executives all speak Westchester-ese, and the secretaries all have broad Bronx-Brooklyn-Queens accents, especially when singing.

Best quote: "I feel sorry for men who don't knit. They lead empty lives."

You have the cool, clear
Eyes of a seeker of wisdom and truth;
Yet there's that upturned chin
And that grin of impetuous youth.
Oh, I believe in you. I believe in you.
I hear the sound of good, solid judgment
Whenever you talk;
Yet there's the bold, brave spring of the tiger
That quickens your walk.
Oh, I believe in you. I believe in you.
And when my faith in my fellow man
All but falls apart,
I've but to feel your hand grasping mine
And I take heart; I take heart
To see the cool, clear
Eyes of a seeker of wisdom and truth;
Yet, with the slam-bang tang
Reminiscent of gin and vermouth.
Oh, I believe in you. I believe in you.

Friday, November 7, 2008

A Cheery Ditty and a Chess Game

I just felt like seeing this again. It always makes me smile.



And thanks to my chess playing spouse, we have this too.



And now we shall eat fresh-baked pumpkin muffins. mmmm. I needed new breakfast treats. Banana muffins with coconut & chocolate chips are still nommy but a change is good.

This week is going to be rough...errands, orchid meeting, fridge defrosting, spousal board meeting, spousal chess game, friend's concert, friend coming in from out of town, and my BFF having babies on Friday. Two babies! Two baby boys! Aieee!! We put together the cribs yesterday. I guess it's really happening...

Saturday, June 21, 2008

She prays like a Roman with her eyes on fire


Steely Dan, as seen at the Beacon Theatre Saturday June 21, is a bit odd. Songs and style trapped in amber, no surprises but a satisfying re-affirmation of why we like the music. Not quite a relic, not quite an oldies act -- o god are they? No, Motley Crue is an oldies act not unlike doo-wop package shows, and Vince Neil's had nearly as much cosmetic surgery as that Wildenstein catwoman, while Donald Fagen mans the keyboard looking like a nebbishy white version of Ray Charles. ahem. They expertly played the smooth funky jazz-pop you expect, you'd never mistake them for Paul Motian Trio at the Village Vanguard or John Zorn at Tonic, but I credit them for priming my ears for real jazz later in life. While I'm always happy to hear something that makes me say, Hey! Another way for music to sound! I'm not entirely sure I'd appreciate modern jazz and bebop as much as I now do without Messrs Fagen and Becker's guidance.

Show opened with "The Royal Scam" and chugged along from there through what I think of as a pleasant steady groove but to be honest it was a lot of those songs that all sorta sound the same at ten minutes each...like "Babylon Sisters" and "Gaucho" (sung by Becker!!)...and "Hey Nineteen" thrown in with a little Becker patter. Sorry, not a fave song of mine. Yeah, I was 19 when the song came out...uh yeah I kinda dug older guys...o never mind.

God, even the band's roadies are old. Um can I just see that MGMT video again, with the young half-naked guy doing stuff half-naked...?

They finished the first big chunk of show -- I refuse to call 5 songs an encore -- with more uptempo stuff, the crowd-pleasers, "Josie" and "FM" which wow, based on the studio record I just never envisioned as a number to get the crowd on its feet dancing. "Love is Like an Itching in My Heart" -- a great Supremes song -- helped showcase the backup singers and the band. Then "Peg" "Don't Take Me Alive" "Kid Charlemagne" (YES there's gas in the car).

Fannish devotion ran quite the gamut, from the fellows hollering "Cuervo Gold!!!!!!!" to the guy at the end who screamed SCUMBAAAAGS!!!! apparently because the band failed to play "Deacon Blues." Hey dude, you're a good argument in favor of allowing reefer in the theater. Like, chill. Seriously. It's Steely Dan. They have a lot of good songs. It's not like after 2 hours Skynyrd forgot to play "Free Bird."

Yeah, I would've liked to hear "Deacon Blues," yeah, also "King of the World," "Bodhisattva," "Black Friday," "Pretzel Logic" and definitely "Do It Again" but you enjoy the show in your mind after you enjoy the show you had a ticket for...

I don't think there was anything from "2 Against Nature" or "Everything Must Go." I haven't etched those albums into my brain, and I'm extremely unlikely to do so. The songs are catchy but I just can't care a whole lot about them. They're lacking that spark of genius, I guess, that I expect from a great SD track. They're also lacking subtlety. O well. Not that I always treasure subtlety, I still listen to the Ramones and the Buzzcocks too...

PS I love when my iPod on perpetual shuffle reads my mind, like the second song it played? after I left the show? like I got to the bus stop and it was totally "Josie" man!! (Okay so the first one was "Game of Love" by Wayne Fontana and the Mindbenders. Get it, dude? The Mindbenders!)